Alexandra Pirici

Resilience needs focus and remembering your goals, but also power to adapt and take the longer way sometimes

Wishing you much strength and flexibility. Resilience needs focus and remembering your goals, but also power to adapt and take the longer way sometimes when there is still time.

I think I imagine that my message is addressed, of course, to people of different ages and various backgrounds. But I also thought about youth and I have been trying to remember myself when I was younger and this feeling of urgency. And I think when it comes to youth today, they very legitimately feel an urgency to act and to change things very, very strongly. And it’s true. We’re running out of time. I don’t need to say why, and I don’t think we need to talk about the reasons for this. But I also feel that every inch that you take back from the powers and every small change or big change that you achieve needs a certain way of strategizing, of looking at the bigger picture and sometimes of being patient or knowing when to act, choosing your fights.

You know, there’s a lot of strategy. I think throughout the years I realized we have to be very strategic and as much as we need to be radical and everything has to be, it has to happen now because otherwise there’s no time. I think nevertheless, within that urgency, we still need to think strategically and we need to understand all sorts of issues and all sorts of entanglements and all sorts of connections and to try to also accept compromise. And I think we also need to be, as I said, quite flexible. That’s why I try to also bring some more flexibility and taking the longer way and working within this relational mess. Because otherwise we risk to become very rigid. And I don’t think we can achieve things with rigidity. Radicality, yes. Yeah, our goal needs to be remembered. But how you arrive at your goal, I think, is another question. And I think as much as we can still give time, I think we can still be strategic and devious as nerves, to quote Ursula Leguin.

We have to be very strategic as much as we need to be radical

Every small change or big change that you achieve needs a certain way of strategizing, of looking at the bigger picture and sometimes of being patient or knowing when to act, choosing your fights. There’s a lot of strategy. Throughout the years, I realized we have to be very strategic as much as we need to be radical. Everything has to happen now because otherwise there’s no time; nevertheless, within that urgency, we still need to think strategically and we need to understand all sorts of issues, all sorts of entanglements, and all sorts of connections, and to try to also accept compromise. And I think we also need to be quite flexible. That’s why I try to also bring more flexibility, taking the longer way and working within this relational mess, because otherwise we risk becoming very, very rigid. And I don’t think we can achieve things with rigidity. Radical reality. Yes.

Art has the capacity to speak to everyone

I don’t think that’s how things should be approached, but rather I think it’s about exchange and also about fighting for quality public education. This is something that I try to emphasize every time so that we meet somewhere in the middle and you can also produce something very sophisticated and very smooth in terms of aesthetics or you don’t need to make a big show […] I think art is something that speaks to people of all walks of life, of all educational backgrounds. And I think this is a strength. It’s not a bourgeois elitist thing. It has the capacity to speak to everyone. I think we just need to learn how to speak to each other.

Locality is always embedded in networks of relations to the global

I don’t see things that separated and I think sometimes emphasising on locality can miss the point that actually locality is always embedded in networks of relations to the global. You never exist on your own, you are never just local, there are other agents, you have your own agency, but you are only part of a network and other people have also other interests with your local existence. So I think not realizing this is a problem of reasoning and understanding your place in the world.

About Alexandra Pirici

Alexandra is an artist and choreographer whose performances and installations explore history and invisible structures of power in both gallery and public spaces. Her work was shown at the Venice Biennial (2022, 2013); Manifesta 10, St. Petersburg (2014); at the Berlin Biennale (2016); and the decennial exhibition Skulptur Projekte Münster (2017).

CreaTures resources

Pirici, A. (2022). Entanglement [Festival keynote]. CreaTures Festival, Sevilla, Spain.

Dolejšová, M., Wilde, D. Choi, J.H., Botero, A., Zamuruieva, I., Light, A., Gi, F.G.l & Miller, M. (2022). The Feral Gift Exchange [Festival presentation]. Uroboros 2022 Festival. 

Light A. (2022). Ecologies of Subversion: Troubling Interaction Design for Climate Care. interactions 29 (1) 34–38. https://doi.org/10.1145/3501301Choi, J. H. & Light. A. (2020). ‘The co-‘: Feminisms, Power and Research Cultures: A Dialogue. interactions 27(6). https://dl.acm.org/doi/10.1145/3429697